Real quick, some good parts from Chapter 3 in McQuade & McQuade.
- Tom Brokaw’s “An Ode To Loved Labors Lost” p. 253, mainly for the sentence “and sensing for the first time in my young life the genuine excitement of wrestling with big ideas, and the force of intellectual curiosity.” I heart that excitement.
- “The First Thanksgiving” by Sarah Vowell, p.256
- “Fish Cheeks” by Amy Tan, p. 261, Amy Tan can break my heart with words.
- Art Spiegalman, p. 300. He wears an upside down peace pin (p. 302), I wonder if he’s turned around yet.
- “Vivian, Fort Barnwell” by Ethan Canin, p. 323. My brother has a photo on me and him on his wall as kids and I think it’s really sweet, (he’s pretty separated from the family), that I didn’t have the heart to tell him it wasn’t us–or at the least not me. I think it was some family friends–also biracial asian kids.
There’s a lot of good stuff in this chapter. Highlight: Savulich’s portfolio, p. 274-278. I’m interested by the fact these images have captions. I’m not one for gruesome things or heartbreaking things (like watching a jumper on a hotel roof), so I’m wondering about his need to include captions. He says that he feels he’s “recording something that’s really happening.” which I definitely understand. There is action and a story in those photos, so again, why use the captions? Is he just concerned that we interpret the “correct” story?
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